An idealistic young lawyer working for a Congressional subcommittee in the late 1950s discovers that TV quiz shows are being fixed. His investigation focuses on two contestants on the show "Twenty-One": Herbert Stempel, a brash working-class Jew from Queens, and Charles Van Doren, the patrician scion of one of America's leading literary families. Based on a true story.

Offbeat fashion student Betsy Hopper and her straight-laced investment-banker fiancé, Dylan Walsh, just want an intimate little wedding reception, but Betsy's father, Eddie, a Long Island construction contractor, feels so threatened by Jake's rich WASP parents that he blows the ceremony up into a bank-breaking showpiece, sending his wife, Lola, into a financial panic. Pressure from Betsy's extended family to include their joint Jewish and Italian-Catholic heritage in the ceremony doesn't do much to assuage the title character's worries, nor does the lovelorn bitterness of her older sister, Connie, who's single, her parents assume, because she has the audacity to pursue the unfeminine profession of police officer. With all of his funds tied up into the money pit of a house he's building, Betsy's dad has to turn to his crooked brother-in-law, Oscar...

Ray is a man obsessed with his own mortality. When Ray's best friend dies of a heart attack, Ray is convinced that all of his aches and pains are an indication of his own imminent death. His life turns into a slapstick farce of health-crazed anxiety and hypochondria, until he finally learns that all he has to fear is fear itself.

Jason Davis is a reporter who gets an anonymous tip that turns him into an eyewitness to a judge's murder.

Christopher Plummer plays Flash, a curmudgeon with a hankering for classic movies and booze. Cameron is a volatile teen who commits grand theft auto just because the car is an exact replica from Christine. Their relationship is forged in the darkness of a movie theater and fueled by a mutual appreciation of rebellion and cinema. Cameron enters a student film contest, though he lacks the resources of his peers. Learning that Flash is a retired Hollywood gaffer-and the only surviving crew member from Citizen Kane-Cameron follows him to his home at the Motion Picture Residence for the Elderly, a colony of aging film folk set aside by the industry. A quirky fellowship develops, in which Flash and his friends help Cameron make his film, and, in doing so, change his life.

Evan keeps to himself, almost without affect. He's 30, a former foster child, living alone, writing suicide notes for people. He attends a client's funeral and meets Charlotte, the client's sister. She pursues Evan; he's silent about his real work and invents a friendship with the brother. About the same time, Evan starts working with Abel, a new client, a composer of phone-waiting music who's depressed. Evan confides in Abel about Charlotte as she begins to draw him out. Crises await the self-contained Evan: his relationship with Charlotte is based on a lie, and his incipient friendship with Abel is headed toward suicide. Are more dead ends ahead?